This Drifting Excrement Was Way Too Symbolic! These Are the Television Disappointments of the Year.
As we reflect on the television landscape of the recent year, a selection of series stand out not for their excellence, but for their spectacular failures. From cringe-inducing spin-offs to confusingly poor documentaries, here are the programmes that left us scratching our heads or just reaching for the remote.
The 'Sex and the City' Sequel
How to start with this divisive spin-off? Burdened with dreadful writing, painful arcs (justice for Miranda!), and a paltry 71 seconds of beloved Samantha, the show struggled to justify its existence. For a moment, as the final season started, it looked like it had at last hit its stride. Then came an installment centered on Seema’s natural deodorant. No wonder the creator announced this would be the last series. It concluded on a low point; the lingering shot of Miranda’s toilet full of poo was simply too symbolic. Yet, fans certainly had a hoot dissecting every single “what on earth?” moment. And as Carrie – a single woman once more – danced around her sprawling townhouse to Barry White, who couldn't release a small sob?
The Kim Kardashian Drama
‘Can Kim Kardashian act? Of course she can’t.’
But that was practically the smallest of this drama's problems. The recipient of a exceedingly uncommon zero star assessment, it was difficult to know where to begin listing the problems. The hilariously leaden writing? The tedious glorification of affluence and materialism? The seemingly deliberate procession of tropes? Acting so poor they felt almost malicious? Let’s just say “each and every one” and never speak of this show again. However, a new season has been commissioned, so we’re likely going to have to.
AKA Charlie Sheen
Considering the legal troubles, abuse allegations and fatherly failures, it’s reasonable to say Charlie Sheen has been a troubled figure. Not that you’d truly have known it from this multi-part docuseries which chuckled along at Sheen’s various bouts of self-destructive hedonism while failing to tell us anything we didn’t already know. Instead, it felt as if this volatile personality was being pandered to, so any sympathy this series might evoke should be saved for the people who have had to suffer close contact with this charismatic but flippant egotist.
The Supercomputer Drama
Naturally we understood it was ridiculous from the outset: a drama about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We stuck with it out of pure admiration for its stars … but by the end, it felt like even they had stopped bothering. One barely cared when his character died, and the other ended up slicing Charlie with an axe … in painfully slow-motion. That's what you call giving up the ghost.
The Gangster Drama
Shady characters meeting in empty boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and wants its gangland drama back.
In truth, that is harsh on the crime shows of the late 90s. Many seem a little dated now, but at least they didn’t suffer the embarrassment of having to accommodate unconvincing dialects. But there were many other issues. Mainly that it was just profoundly boring; a conflict over drug-selling territory between various London rogues which seemed a bit basic.
The Meghan Markle Series
Considering the extent to which she grinds the gears of the nation’s performatively enraged commentators, it’s almost easy to applaud the Duchess of Sussex’s televised forays into quaint lifestyle as intentional statements. But then you view them and are compelled to admit that in this case, they may have a point. It’s like watching a lifestyle catalogue come to life; a poster for wine o’clock with ideas of grandeur; a procession of sleeping dogs, humming beehives, Hallmark platitudes and forgettable crafting “hacks” you’ll not remember instantly. All supported by vast, largely unearned wealth. Ugh.
The Beckham Documentary
There are clearly interesting things to be discussed about regarding Victoria Beckham and her struggles with career, self-image, self-worth. But for whatever reason, this documentary series chose not to explore them. Rather, the viewing was like reading a sales brochure. She obviously has every right to bridle at what she describes as her “miserable cow” image. But unfortunately, she failed to do herself any helps with this guarded non-event of a series.
The Inheritance
It should have been the next cultural phenomenon – except even camper, with a famous star as a deceased benefactor and a well-known personality overseeing her inheritance. What more could you ask for? As players competed, there was plenty of backstabbing and arguing. But the rules quickly became bewildering: it’s still too confusing to explain what precisely was happening. Even more regrettably, we only saw brief appearances of the star via prerecorded videos. The series ended up smelling of a programme that was trying way too hard to emulate something far greater than it.
Too Much
How do you succeed a show that defined a generation? The expectation was enormous for this starry romcom about Jessica, a hopeful New Yorker who lands in London with a shattered romance. The lead actress seized the opportunity by the horns and was joyous to watch, reveling in Austen levels of romantic notions. But it was all very slick and, ironically, was insufficient. Plus, the abundance of famous cameos involved felt uncomfortable.
Mitchell & Webb Are Not Helping
Not good enough to be ‘uneven’.
Given the smart inclusion of talented emerging comics, expectations were high. But sadly, most of it fell flat. A recurring sketch was a one-note joke milked to a husk but recurring in every episode. One star seemed too ready to slip into a familiar ranting mode. The behind-the-scenes sketches, in contrast, simply provoked the idea that they should probably have stayed in there a while longer.
The Knox Dramatisation
This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely presented the perspective of Amanda Knox. So, while there probably is an interesting drama to be made about the horrific 2007 murder, this was not it. The subject matter needed to be handled sensitively. Instead, the series laboured awkwardly to find the right voice, lumbering from strangely jaunty, somewhat mannered farce to ultimately, real-life horror. Complex? Perhaps. A total mess? Very much so.
Prime Target
We love the lead actor … but did we buy him playing the most brilliant maths genius since, a man so intelligent he’s on the brink of a breakthrough that could destabilise society? No! This international thriller about secret services targeting – and killing off – academics honestly got more farcical by the second. Silliness-by-numbers.
The Bonnie Blue Documentary
This uncritical portrait followed the online personality renowned for sexual escapades as she undertook her biggest feat yet. What on earth would motivate her? What we craved was way more interrogation of her actual psyche, plus those of the men in the line. They could at least have interviewed the legendary mum who showed up to drag her son away from the queue. What we got was horrific imagery and zero critical analysis of her notoriety whatsoever. It's staggering to consider, the documentary-maker has a teenage daughter too.